戲劇遊樂場 SHIIM|Theater Playground SHIIM(釜山 Busan)

戲劇遊樂場 SHIIM Theater Playground SHIIM

釜山 Busan

2018年伊始,「戲劇遊樂場 SHIIM」已經與才華橫溢的外國導演以及它自身的團隊合作,創作了一系列的實驗劇場:例如以色列導演紀·阿隆指導的《柔光照耀的房間裡》,講述了一對夫妻中的妻子,因政府的暴力而失去了家園;台灣導演王墨林指導的《再見!母親》,講的是一位男子以自焚的方式拯救兩位年輕女工的故事,其改編之作《安蒂岡妮》,呈現了曾在東亞得到廣泛推行的戒嚴令,以及”脱北者”背後的亞洲現代歷史中的大屠殺。最近,SHIIM進行了幾次街頭表演,像是在釜山法院前”走路”,在市立釜田圖書館面”扛石頭”,日本導演大橋宏執導的在札嘎其市場內表演的”一千零一夜”。除此之外,SHIIM還創作了講述一名女性勞工激進人士的生活的作品《吹吧,春風》,以及將音樂會和劇場相結合的《搖滾音樂會,最後一次彩排》。

Since 2018, SHIIM has created experimental plays with talented international directors and of its own capacity. They collaborated with Israeli director, Gil Alon, to create ‘Soft lighted Room’ on a couple of whom a wife lost her own home town by the violence of the government; with Taiwanese director Wang Molin to create ‘Mom, Bye’ about a man who burned himself to save two young female workers. They recomposed ‘Antigone’, which is on martial laws prevailed in East Asia. Another work, ‘Defectors from the North’, is about massacres which happened in modern history of Asia. Recently SHIIM has made several street performances, including ‘Walking’ in front of Busan Court of Law, ‘Carrying Stones’ in front of Bujeon Library, and ‘One Thousand and One Nights’ at Jagalchi Market directed by Japanese director Hiroshi Ohashi. Shiim also created a ‘Blow, Spring Wind’, a play about a life of a female labor activist, and ‘Rock concert, Last Rehearsal’, which combined concert and theater.

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